How long can a 45 rpm record be?
If you exceed the maximum time suggested for a record side, it can affect the quality of the audio.
| SIZE | SPEED | OPTIMUM TIME |
|---|---|---|
| 12″ | 33 rpm | 17 minutes |
| 10″ | 45 rpm | 7 minutes |
| 10″ | 33 rpm | 11 minutes |
| 7″ | 45 rpm | 3 minutes |
How much does it cost to build a 45 rpm record?
Making a physical single is a bit of an investment, ranging anywhere from $500 to $1500 and up for a 45 RPM 7” disc, with costs varying depending on number of copies pressed, complexity of graphics, as well as extras like colored vinyl and dust jackets.
Can a 12 inch vinyl be 45 rpm?
12 Inch Singles Generally cut at 45 RPM, they feature wider groove spacing and shorter playing time compared to LPs, which permits a broader dynamic range or louder recording level (among other benefits. Twelve-inch records are popular in dance music, where DJs use them to play in clubs.
Why would a record be 45 rpm?
In order to make the disc smaller than the 10-inch, 78-rpm discs used since the 1890s, they reduced the speed to 45-rpm and used a much finer groove. This meant that they could pack in more grooves in a smaller space.
How much are my 45 singles worth?
Rock and roll and R&B 45s with picture sleeves that were pressed in the 1950’s have a value of at least $10, with many being valued at more than $100. EPs were only made in the 50’s and 60’s. Rock and roll and R&B 45s with the cardboard sleeves are worth at least $20, with many being worth more than $200.
What is the value of my old 45 records?
Rock and roll and R&B 45s with the cardboard sleeves are worth at least $20, with many being worth more than $200. First pressings of albums have more value than second, third, or subsequent pressings. They are referred to as the “originals” that were purchased when the record first hit the charts.
When was the last 45 rpm record made?
1990s
In the 1990s, most record labels discontinued production of the 45 RPM vinyl record. As a result, the 45 quickly become a collectors item. Later, when a resurrection of interest in 45 RPM records began, many artists, especially those whose work had been largely unnoticed (“unsung”), became new marketing phenomena.