Who was Bartolomeo Colleoni?
Bartolomeo Colleoni (Italian pronunciation: [bartoloˈmɛːo kolleˈoːni]; 1400 – 2 November 1475) was an Italian condottiero, who became captain-general of the Republic of Venice. Colleoni “gained reputation as the foremost tactician and disciplinarian of the 15th century”.
What kind of artwork is Colleoni on horseback?
Renaissance sculpture
The Equestrian statue of Bartolomeo Colleoni is a Renaissance sculpture in Campo Santi Giovanni e Paolo, Venice, Italy, executed by Andrea del Verrocchio in 1480–1488.
What was Andrea del Verrocchio known for?
Verrocchio was one of the leading artists of late 15th-century Florence. He is mainly celebrated as a sculptor, though a number of important painters trained in his studio, including Leonardo da Vinci.
Why was equestrian statue of gattamelata important?
The artist crafted the Gattamelata as a tribute to both the military leader and the individualism so revered during the Renaissance. This work of art became the blueprint for equestrian monuments honoring military heroes.
Who sculpted Colleoni?
Andrea del VerrocchioEquestrian statue of Bartolomeo Colleoni / Artist
The Bartolomeo Colleoni Monument is among the best-known works of Andrea del Verrocchio, a Florentine sculptor and painter, and a teacher of Leonardo da Vinci. Verrochio died in 1488, before finishing the work, and the statue was finished by Alessandro Leopardi in 1495.
Is the equestrian statue of Bartolomeo Colleoni a monument?
The Euqestrian Statue of Bartolomeo Colleoni is a bronze monument located in front of the San Zanipolo basilica in Venice, by the Campo dei Santi Giovanni e Paolo .
Who made the Bartolomeo Colleoni statue?
Andrea del VerrocchioEquestrian statue of Bartolomeo Colleoni / Artist
Who influenced Verrocchio?
Sandro Botticelli, the major Florentine painter of the late 15th century, and Francesco di Giorgio, the important Sienese artist, clearly oriented themselves toward Verrocchio’s art in certain phases of their development, as did the prominent Florentine sculptors Benedetto da Maiano and Andrea Sansovino.
What type of art did Verrocchio do?
Italian Renaissance
Florentine painting
Andrea del Verrocchio/Periods
Who created equestrian monument of Gattamelata?
DonatelloEquestrian statue of Gattamelata / Artist
The statue established a prototype for equestrian monuments in the West. Erasmo da Narni, called Gattamelata, bronze equestrian statue by Donatello, 1447–53; in Piazza del Santo, Padua, Italy.
Where did Donatello see the equestrian statue that inspired his Gattamelata?
the Piazza del Santo
The Equestrian Statue of Gattamelata is a sculpture by Italian early Renaissance artist Donatello, dating from 1453, located in the Piazza del Santo in Padua, Italy, today.
When was the equestrian statue of Bartolomeo Colleoni made?
In 1479 the Venetian authorities had decided to erect a monument to the mercenary Bartolomeo Colleoni of Bergamo who had died in 1475, leaving funds for an equestrian in his honour.
What makes Verrocchio’s monument of Colleoni different?
Verrocchio s monument of Colleoni scarcely differs from older equestrian monuments which cities commissioned during the 15th century to honour the outstanding services rendered by their condottiere, such as Donatello’s Gattamelata in Padua.
What does Verrocchio’s magisterial baptism of Christ represent?
Verrocchio’s magisterial Baptism of Christ represents the complexity of artistic collaboration in the Renaissance. The artist first designed the overall scene and painted the figure of John the Baptist at right, striding forward as he anoints Christ with waters from the river Jordan.
What did Verrocchio do in the Baptistery of Florence?
Verrocchio contributed this relief panel to a silver altar honoring John the Baptist, patron saint of Florence, in the city’s baptistery. The fine design represents the sculptor’s only surviving work in silver. The background is executed in a repoussé technique, with the forms hammered outward from the reverse side of the sheet.
When was Andrea del Verrocchio made?
Andrea del Verrocchio, Giuliano de’ Medici , c. 1475/1478, terracotta with traces of polychromy, National Gallery of Art, Washington (on view in the exhibition Verrocchio: Sculptor and Painter of Renaissance Florence from September 15, 2019 to January 12, 2020)